By Jon Paul Fiorentino,George Elliott Clarke
Blues singer, preacher, cultural critic, exile, Africadian, excessive modernist, spoken notice artist, Canadian poet—these are yet a few of the voices of George Elliott Clarke. In a range of Clarke’s most sensible paintings from his early poetry to his most up-to-date, Blues and Bliss: The Poetry of George Elliott Clarke deals readers a magnificent cross-section of these voices. Jon Paul Fiorentino’s advent specializes in this polyphony, his influences—Derek Walcott, Amiri Baraka, and the canon of literary English from Shakespeare to Yeats—and his “voice throwing,” and exhibits how the intersections the following produce a “troubling” of language. He sketches Clarke’s basic curiosity within the negotiation of cultural area via adherence to and revision of culture and at the discovering of a vernacular that starts off in exile, in particular exile with regards to African-Canadian groups.
within the afterword, Clarke, in an engaging re-spin of Fiorentino’s advent, writes with patented gusto approximately how his studies have contributed to a number of sounds and kinds in his paintings. Decrying any grandiose notions of thought, he offers himself as basically a songwriter.
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Additional resources for Blues and Bliss: The Poetry of George Elliott Clarke (Laurier Poetry)
Blues and Bliss: The Poetry of George Elliott Clarke (Laurier Poetry) by Jon Paul Fiorentino,George Elliott Clarke