New PDF release: British Romanticism and the Reception of Italian Old Master

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By Maureen McCue

ISBN-10: 1409468321

ISBN-13: 9781409468325

due to Napoleon’s campaigns in Italy, previous grasp artwork flooded into Britain and its acquisition turned an index of nationwide status. Maureen McCue argues that their responses to those works knowledgeable the writing of Romantic interval authors, allowing them to forge frequently miraculous connections among Italian artwork, the mind's eye and the period’s political, social and advertisement realities. Dr McCue examines poetry, performs, novels, commute writing, exhibition catalogues, early guidebooks and personal stories recorded in letters and diaries by means of canonical and noncanonical authors, together with Felicia Hemans, William Buchanan, Henry Sass, Pierce Egan, William Hazlitt, Percy Shelley, Lord Byron, Anna Jameson, Maria Graham Callcott and Samuel Rogers. Her exploration of the assumption of connoisseurship indicates the ways that a data of Italian paintings grew to become a key marker of cultural status that used to be not constrained to artists and aristocrats, whereas her bankruptcy at the literary construction of post-Waterloo Britain strains the advance of a serious vocabulary both acceptable to the visible arts and literature. In delivering cultural, ancient and literary readings of the responses to Italian paintings through early nineteenth-century writers, Dr McCue illuminates the $64000 function they performed in shaping the subjects which are important to our knowing of Romanticism.

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British Romanticism and the Reception of Italian Old Master Art, 1793-1840 (Studies in Art Historiography) by Maureen McCue


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